Rock Band and Norse myth aside, the game takes cues from the вЂњroguelikeвЂќ genre, with rooms, terrain factors (including gravity levels), enemies and rewards reshuffled each time you play. While each of BPMвЂ™s 10 levels has a fixed background track, the levels themselves are constantly changing. The beat-matching element takes some mastering, but it lends serious thrill to what might otherwise be a vivid but unremarkable blaster. Each gun has its own brutal music: shotguns must be pumped on the off-beat, while Gatling guns start slow and build to an apocalyptic drum roll. To fight is to improvise on top of the electronic rock soundtrack, all the while circling hordes of lava bats and scorpion women. Secondary abilities such as lightning spells are your bass drum and cymbals. Shooting and reloading are your snares and toms. It might sound terrifying if, like me, you have all the natural tempo of a tumble dryer, but itвЂ™s irresistible in action.Д«PM is theoretically about valkyries purging Asgard of demon invaders, but really itвЂ™s a cunningly disguised drum kit simulator, drenched in raw, oversaturated colours and set to an easily-grasped 4/4 time signature. Miss a beat and youвЂ™ll misfire, falling behind enemies whose attacks are also synced to the score. Awe InteractiveвЂ™s BPM: Bullets Per Minute borrows from actual music games by having you perform every action besides movement to a background beat, as indicated by a collapsing diamond reticule. Players of classics such as Halo operate as much by ear as eye, internalising the cadences of fire rates and reload times. S hooter games have always had a sneaking love affair with rhythm.

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